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In the hallowed halls of country music, few names command as much reverence as George Strait, the undisputed “King of Country Music.” For decades, his smooth baritone has been the soundtrack to countless lives, telling stories of love, loss, and everything in between. But lurking within his celebrated 1998 album, One Step at a Time, is a song so deceptively playful that its heartbreaking core has been overlooked for years: “We Really Shouldn’t Be Doing This.” On the surface, it’s a charming, toe-tapping tune. But beneath the cheerful melody lies a raw and poignant confession of forbidden romance and the agonizing thrill of temptation.

The track emerged during a transitional period for country music, yet Strait, ever the traditionalist, wrapped a story of a secret affair in the most beautiful, unassuming package. The instrumentation itself is a masterclass in emotional misdirection. A lively acoustic guitar and a surprisingly jazzy piano riff create an atmosphere of lighthearted fun, a sound that tricks the listener into feeling safe. But this deceptively cheerful sound is the backdrop for a narrative fraught with peril and the intoxicating danger of a love that can never be. It is the musical equivalent of a nervous, smiling glance between two people who know they are walking towards a cliff’s edge.

“We all thought it was just a cute, flirty song for years,” reflects Mary Ann Thompson, a 65-year-old retired schoolteacher and lifelong fan from San Antonio, Texas. Her voice trembles slightly with emotion. “But you listen to it now, with older ears, and you hear the desperation in his voice. It’s not just a crush; it’s a story about two people who are likely betraying something, or someone. That line, ‘Somewhere I’d like to go, somewhere I’d like to kiss / We really shouldn’t be doing this,’ it’s delivered with such a smile, but the words themselves are a tragic admission. It’s the genius of George; he could hide a storm in a sunshower.”

The song’s power lies in this very conflict—the upbeat tempo fighting against the somber reality of the lyrics. It’s a playful exploration of a situation that is anything but. The lyrics unfold like an intimate, whispered conversation between two lovers caught in the act, their words a mixture of excitement and guilt. This wasn’t just another hit for Strait; it was a deeply insightful look into the human heart’s capacity for risky desire. The song captures that fleeting, terrifying moment of choice, where every instinct screams no, but the heart whispers yes. It resonates so deeply with an older audience precisely because it speaks to a lifetime of complex choices and unspoken what-ifs. Strait’s effortless, charismatic delivery makes the listener feel like a confidant, leaning in to hear a devastating secret, all while tapping their feet to the rhythm.

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Lyrics

We really shouldn’t be doing thisAnd we both know whyJust being close enough to think like thisEnough to make you need to lieThis kinda talk will lead us to somewhereWe’re gettin’ way too close to going thereThe farther off the better to resistWe really shouldn’t be doing this
Only an isolated incidentBut the acquaintance left me stunnedThe first attraction was the hardest hitI thought I’d ever overcomeThis kinda situation has to passThis chance encounter has to be the lastTo take it further we would be remissWe really shouldn’t be doing this
We’d each be hurting somebody elseif we don’t say our good-byes real fastWon’t even think about a farewell kisswe really shouldn’t be doing thisWell
We really shouldn’t be doing thisAnd we both know whyJust being close enough to think like thisEnough to make you need to lieThis kinda talk can lead us to somewhereWe’re gettin’ way too close to going thereThe farther off the better to resistWe really shouldn’t be doing this
This kinda situation has to passThis chance encounter has to be the lastTo take it further we would be remissWe really shouldn’t be doing thisWon’t even think about a good-bye kissWe really shouldn’t be doing this

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